No More Women

When Matt Moore was thrown over by vamp Kathleen Cliffford, he resolved to have no more women in his life. But he didn't take account of wealthy Mage Bellamy who is determined to pursue him until he marries her.

Cat on a Hot Tin Roof

An alcoholic ex-football player drinks his days away, having failed to come to terms with his sexuality and his real feelings for his football buddy who died after an ambiguous accident. His wife is crucified by her desperation to make him desire her: but he resists the affections of his wife. His reunion with his father—who is dying of cancer—jogs a host of memories and revelations for both father and son.

The Hand That Rocks the Cradle

A doctor's wife is arrested for educating impoverished women about birth control.

The Betrayal

In this film, African-American Leroy Collins struggles with the onus placed on him by Society when he falls in love with a white woman.

Today and Tomorrow

Today and Tomorrow (Hungarian: Ma és holnap) is a 1912 film directed by Michael Curtiz and starring Gyula Abonyi and Jenőné Veszprémy.

At The Beauty's Altar

Heaven on Earth

Young Edmond Durand (Conrad Nagel) has been reared under the autocratic influence of his aunt (Marcia Manon), who directs a large silk mill in southern France. He revolts against a stifling career planned for him and leaves home with Marcelle, a Gypsy girl (Renée Adorée). They roam the countryside with a Gypsy caravan in romantic bliss; they are inadvertently separated but at the outbreak of war are reunited. When peace is restored, the lovers find happiness together.

Mifune

Kresten, newly wed, is on the threshold of a great career success in his father-in-law´s company. But when the death of his own father takes him back to his poverty-stricken childhood home, far out in the country, his career plans fall apart. For one thing he has to deal with his loveable, backward brother, who is now all alone; for another, he meets a stunning woman who comes to the farm as a housekeeper, in disguise of her real profession as a call-girl.

Bad Education

Two children, Ignacio and Enrique, know love, the movies and fear in a religious school at the beginning of the 1960s. Father Manolo, director of the school and its professor of literature, is witness to and part of these discoveries. The three are followed through the next few decades, their reunion marking life and death.

We Can't Have Everything

A married couple, each in love with another, attempts to unentangle themselves from their marriage in order to be with the one each truly loves. But the more they untangle one knot, the faster more confusing knots appear.

On Dangerous Paths

Viola Dana plays Eleanor, a minister's daughter who comes to New York to visit her older sister, a successful businesswoman. Eleanor manages to get a job as a nurse in a major metropolitan hospital. One night, she is called upon to look after a drunken tourist, who turns out to be her hometown sweetheart Roger (Pat O'Malley).

Sally in Our Alley

Sally, a girl of the tenements, is being raised by three bachelor foster-fathers, a pawnbroker, an organ-grinder and a peddler, and is very happy preparing their meals and keeping the house, while the old men bask in the attention she gives them. However, this happy home is broken up when Sally wealthy aunt appears on the scene and takes Sally back to her luxurious penthouse in order to give her the advantages of money and social position. But Sally's heart is back across the river with her plumber sweetheart, Jimmie Adams.

A Woman's Woman

A woman finds herself being a unpaid skivvy to her husband, two daughters and her son.

Girls in Uniform

In a strict Prussian boarding school for girls, sensitive student Manuela von Meinhardis develops a forbidden love to one of her teachers, the compassionate Elisabeth von Bernburg.

Sense and Sensibility

The Dashwood sisters, sensible Elinor and passionate Marianne, whose chances at marriage seem doomed by their family's sudden loss of fortune. When Henry Dashwood dies unexpectedly, his estate must pass on by law to his son from his first marriage, John and wife Fanny. But these circumstances leave Mr. Dashwood's current wife, and daughters Elinor, Marianne and Margaret, without a home and with barely enough money to live on. As Elinor and Marianne struggle to find romantic fulfillment in a society obsessed with financial and social status, they must learn to mix sense with sensibility in their dealings with both money and men.

The Chorus

In 1940s France, a new teacher at a school for disruptive boys gives hope and inspiration.